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'The Power of the N-Word in Tarantino's Films: Black Intolerance and/or White Audacity?'

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'The Power of the N-Word in Tarantino's Films: Black Intolerance and/or White Audacity?'

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dc.contributor.author Soler Pardo, Betlem
dc.date.accessioned 2023-01-17T16:29:42Z
dc.date.available 2023-01-17T16:29:42Z
dc.date.issued 2018
dc.identifier.citation Soler Pardo, Betlem 2018 'The Power of the N-Word in Tarantino's Films: Black Intolerance and/or White Audacity?' Archivum 68 241 264
dc.identifier.uri https://hdl.handle.net/10550/84997
dc.description.abstract Quentin Tarantino is a controversial figure, whose trademark use of offensive language and explicit violence have, in particular, been subject to censure. A source of consternation for his detractors is the constant use of the N-word. In this article, I offer a detailed examination of the use of the N-word by white people in a broad range of discursive contexts. I begin with a quantitative analysis in the eight films directed by Tarantino -Reservoir Dogs (1992), Pulp Fiction (1994), Jackie Brown (1997), Four Rooms (1995), Kill Bill (vol. I & II) (2003 & 2004), Death Proof (2007), Inglorious Basterds (2009), and Django Unchained(2013) - followed by choice phrases extracted from those films in which the presence of the N-word is most palpable.
dc.language.iso eng
dc.relation.ispartof Archivum, 2018, num. 68, p. 241-264
dc.subject Racisme
dc.subject Violència en la cinematografia
dc.title 'The Power of the N-Word in Tarantino's Films: Black Intolerance and/or White Audacity?'
dc.type journal article es_ES
dc.date.updated 2023-01-17T16:29:44Z
dc.identifier.doi 10.17811/arc.68.2018
dc.identifier.idgrec 129060
dc.rights.accessRights open access es_ES

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