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dc.contributor.author | Soler Pardo, Betlem | |
dc.date.accessioned | 2023-01-17T16:29:42Z | |
dc.date.available | 2023-01-17T16:29:42Z | |
dc.date.issued | 2018 | |
dc.identifier.citation | Soler Pardo, Betlem 2018 'The Power of the N-Word in Tarantino's Films: Black Intolerance and/or White Audacity?' Archivum 68 241 264 | |
dc.identifier.uri | https://hdl.handle.net/10550/84997 | |
dc.description.abstract | Quentin Tarantino is a controversial figure, whose trademark use of offensive language and explicit violence have, in particular, been subject to censure. A source of consternation for his detractors is the constant use of the N-word. In this article, I offer a detailed examination of the use of the N-word by white people in a broad range of discursive contexts. I begin with a quantitative analysis in the eight films directed by Tarantino -Reservoir Dogs (1992), Pulp Fiction (1994), Jackie Brown (1997), Four Rooms (1995), Kill Bill (vol. I & II) (2003 & 2004), Death Proof (2007), Inglorious Basterds (2009), and Django Unchained(2013) - followed by choice phrases extracted from those films in which the presence of the N-word is most palpable. | |
dc.language.iso | eng | |
dc.relation.ispartof | Archivum, 2018, num. 68, p. 241-264 | |
dc.subject | Racisme | |
dc.subject | Violència en la cinematografia | |
dc.title | 'The Power of the N-Word in Tarantino's Films: Black Intolerance and/or White Audacity?' | |
dc.type | journal article | es_ES |
dc.date.updated | 2023-01-17T16:29:44Z | |
dc.identifier.doi | 10.17811/arc.68.2018 | |
dc.identifier.idgrec | 129060 | |
dc.rights.accessRights | open access | es_ES |